It all began...
One cold night in Moscow, my family visited the Bolshoi Theatre for our monthly symphony orchestra concert. I, being six then, was primarily concerned with the candy my mom would award the kid who behaved best during the concert. I behaved terribly; it was like my chair was designed for discomfort.
Amidst the seemingly stoic endurance of my fellow concertgoers, a pivotal moment unfolded after the intermission. Applause cascaded through the hall to welcome the virtuoso pianist, the orchestra began to play Chopin’s E minor Piano Concerto, and something in me changed forever. According to my dear mother, I remained ensconced on the edge of my seat throughout the entire concerto, utterly motionless. Finally, I had the most comfortable chair in the concert hall.
Recognizing my newfound passion for classical music, my discerning mother enrolled and sent me to the esteemed Prokofiev Music School for Youth, where the violin became my instrument of choice. A year later, our family bid farewell to Moscow, embarking on a journey to Atlanta, Georgia, where cultural adjustment became our steadfast companion.

English was prohibited inside the home – we spoke in Russian and studied Scripture in Hebrew. The house resonated with the strains of live music, a symphony of sound echoed through the halls. Whether it was the trills of piano keys, the mournful melody of a violin, the rich tones of a clarinet, the rhythmic strumming of a guitar, the harmonies of singing voices, or my father secluded himself upstairs, crafting compositions in the style of Anton Webern.
As a Jewish youth, I regularly memorized and sang Scripture for the congregation, including at my Bar Mitzvah. This experience undoubtedly honed my musical memory, benefiting my violin performance and conducting skills.
At the age of 14, I made a pivotal decision to pursue conducting, investing my life's savings, accumulated from leading youth groups at the synagogue, into purchasing my first score: Beethoven’s 9th. Previously earmarked for Baskin-Robbins visits, I redirected 50% of my funds towards building my score library. Sneaking the Beethoven symphony score out of my closet one night, I immersed myself in it, following along with my finger as I listened to the mysterious opening through headphones under a feeble glow of a solitary lamp light. This ritual of score study gradually became the perfect sanctuary for the introspective and somewhat solitary teenager that I was.
Fast forward to my first rehearsal at Georgia State University. Maestro Michael Palmer captivated me with his conducting. Introduced by my violin professor, our connection swiftly evolved into weekly conducting lessons, culminating in my role as Maestro Palmer's personal and orchestra assistant. Throughout the years of studying with Maestro Palmer, we focused on all dimensions of a conductor and an all-around musician.
Music means the world to me; hardly an hour goes by without it in my life, as Gilbert K. Chesterton said; “Life exists for the love of music or beautiful things”. I never have to force myself to study, play, practice, or listen to it. Music fills my life with boundless joy, fulfillment, and profound meaning, igniting a deep-seated inspiration to share its beauty with all. My dream is to bring music to as many people as possible; so that, hopefully, one day, somewhere in a concert hall, a kid sitting in an “uncomfortable” chair can have their life changed forever like mine was.
Education
University: Georgia State University
Degree: Bachelor of Music (Violin Performance)
Graduated Summa Cum Laude (GPA - 4.06)
2019-2023
BRIEF OUTLINE OF FOUR YEARS AT GSU (MUSIC RELATED ONLY)
In freshman year, Yelisey played in two orchestras: GSU Symphony Orchestra and Dekalb Symphony Orchestra. He took weekly violin lessons with three professors: Mrs. Lee Taylor at GSU Perimeter Campus, Dr. Christos Galilaias at GSU Atlanta Campus, and his private teacher Vakhob Khashimov. Yelisey began weekly conducting lessons with Maestro Michael Palmer, continuing even during breaks via phone.
An outline of Maestro Palmer and Yelisey's weekly lesson:
1. Ear training: Melodic, harmonic, and rhythmic dictations.

2. Sight reading on piano: Works by Bach, Haydn, and Mozart, including Chorales in four-part SATB clefs and String Quartets; later, full score reading was added.
3. Score analysis: Commencing with harmonic/structural analysis, followed by historical/philosophical exploration.
4. Conducting: Focused on refining baton techniques and expanding gestural vocabulary.
Yelisey's freshman year pinnacle was winning the Second Grand Prize of the 1st PromiseOne Competition, which included a trophy, scholarship, and a solo performance of Mozart’s Violin Concerto No. 3, K. 216, in G major with a professional orchestra.
In his sophomore year, Yelisey participated in monthly conducting workshops/masterclasses with esteemed orchestra and band conductors at GSU. He ascended to principal second violinist in the GSU Symphony Orchestra and enrolled in a Brass Techniques class, aiding in communication with brass sections.
Junior year commenced tutoring Music Theory and Music History. Yelisey also assumed the role of Concertmaster of the GSU Symphony Orchestra. The year culminated with his Junior Recital.
Senior year began with Yelisey's appointment as Student President of the GSU Symphony Orchestra. He conducted rehearsal workshops and performed Schubert’s 8th Symphony, D.759, in B minor, “Unfinished,” at a concert, concluding four years at GSU with his Senior Recital.
Conducting Workshops/Masterclasses
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2024: Participated in the 33rd bi-annual ICWC (International Conducting Workshop & Competition)
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2024: Participated in the International Conducting Workshop & Festival (Dallas, TX)
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2023: Participated in the 12th Annual Conducting Chicago Masterclass and Workshop Series
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2023: Participated in the Fellows Program of The Conductor's Institute of South Carolina
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2023: Participated in the 2nd Annual Summer Conducting Workshop at the University of South Carolina
Awards/Achievements
Gold Prize Winner in two categories of the Franz Schubert International Music Competition 2023
1. Conducting, Choral/Orchestra Category
2. Conducting, Advanced (Ages 18-22) Category
In addition to the two categories, Yelisey won the Special Prize for Outstanding Technique



Gold Prize Winner of Global Genius Music Competition 2023 (Romantic Category, Conducting)

First Prize Winner of World's Best Musicians Competition 2024 (Conducting Category)

Platinum Prize Winner of VanBach International Music Competition 2024 (Orchestra Category)

Certificate of Achievement; Atlantic Music Club of Young Performers Concert at Steinway Galleries 2o17 (Violin)

First Prize Winner of New York Classical Competition 2024 (Conducting Category)

Gold Prize Winner of Royale Music Competition 2023 (Conducting Category)

Platinum Prize Winner of Carl Reinecke International Music Competition 2024 (Orchestra/Ensemble Category)

Certificate of Outstanding Performance; 2015 Musical Extravaganza of the King David Community Center of Atlanta Inc. (Violin)

First Prize Winner of the Great Composers and International Music Competition 2017 "The Music of the Centuries" (17th Century Category, Violin)

Music Study Award from the Music Teachers National Association 2016 (Violin)

Certificate from 33rd bi-annual International Conductors Workshop & Competition

Certificate of Achievement from WOMCO: "A recognition of the Outstanding Multi-Achievement, having won a total of 3 Competitions between October 2022 and October 2023" (Conducting)
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Certificate of Successfully Completing CMWS in Chicago, 2023

Certificate of Outstanding Performance; 2016 Music Festival hosted by King David Community Center of Atlanta Inc. (Violin)

Second Grand Prize Winner of 1st PromiseOne Competition 2019; $500 award and Solo Performance with Professional Orchestra
